By Paul Wells (auth.)
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Extra resources for Animation, Sport and Culture
In the case of the former, sports were more directly related to man’s attempt to cope with the immediate problems of adaptation, survival and defence. On the other hand, the latter used sport to perfect the human body, for competition, and simply for pleasure, and was not as practically or ritually oriented in sports activities (Blanchard 1999:14). Additionally, Dunning notes in the popular consciousness of Western societies in the nineteenth and twentieth centuries the term ‘sport’ has been increasingly withdrawn from the hunting and killing type activities .
Sports movies, for the most part, concentrate less on sport than on the representational agendas that are embodied in the sportsmen and women who play it, and the sociocultural environment in which they exist. Didinger and Macnow (2009) make a strong case for the sports movie, though, by analysing over 100 of its most notable examples, suggesting, for instance, that the boxing movie has been the most persuasive, being easy to stage, offering ready melodrama, and normally, a conducive underworld milieu of colourful characters and corruption (Didinger & Macnow 2009:93–94).
Avildsen, 1990) and Rocky Balboa (Dir: Sylvester Stallone, USA, 2006)), featuring Sylvester Stallone, seems to unerringly reﬂect the career of heavyweight Chuck Wepner,3 failing to reconcile the real achievements of athletes with the sporting limitations of actors and contrived, often historically based, narratives ‘after the fact’. Sports movies, for the most part, concentrate less on sport than on the representational agendas that are embodied in the sportsmen and women who play it, and the sociocultural environment in which they exist.
Animation, Sport and Culture by Paul Wells (auth.)