By Jayson Makoto Chun
This booklet deals a heritage of eastern tv audiences and the preferred media tradition that tv helped to spawn. In a relatively brief interval, the tv helped to reconstruct not just postwar eastern pop culture, but additionally the japanese social and political panorama. in the course of the early years of tv, jap of all backgrounds, from politicians to moms, debated the consequences on society. the general public discourse surrounding the expansion of tv published its position in forming the identification of postwar Japan through the period of high-speed progress (1955-1973) that observed Japan reworked into an monetary strength and one of many world's best exporters of tv programming.
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Extra resources for 'A Nation of a Hundred Million Idiots': A Social History of Japanese Television, 1953-1973
The collapse of empire, democratic reforms imposed by the Allies, and the start of commercial broadcasting, television would build on these prewar foundations established by radio. TV would, along with other factors such as economic growth and the increase in the urban population, help transform urban media culture from a culture of a minority of Japanese into a truly mass national culture. In the postwar era, this revived media culture, built on the foundations of the prewar years and spread through broadcasting, developed into a postwar national culture.
This confusing social and cultural upheaval continued well into the 1950s, the time in which television broadcasting made its Japanese debut. The physical devastation of war and sufferings of the people shattered the prewar imperial consensus. 2 The physical scars of war healed rather quickly, and in less than a decade Japan’s formerly burnt-out cities hummed with activity and rebuilding again, but the mental scars took much longer to heal. Most Japanese went about their daily lives with little problem, but a national ideology capable of filling in the gaping void left by the psychic collapse of kyodatsu developed slowly.
Words can now be transmitted instantaneously by picture. 39 In another article, Takayanagi predicted that video transmissions to battlefield headquarters would revolutionize warfare, and implied that the advanced nations of the world were racing to develop television because of its military potential. Recently, though countries have not publicly expressed it, I have heard that many are feverishly researching television for military reasons. [. . ] However, television is not only for broadcasting, as I have previously written.
'A Nation of a Hundred Million Idiots': A Social History of Japanese Television, 1953-1973 by Jayson Makoto Chun