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That is the reason why technology and architecture are so closely related. Our real hope is that they will grow together, that some day the one will be the expression of the other. Only then will we have an architecture worthy of its name: architecture as a true symbol of our time. (Mies van der Rohe)1 Digital technology has engendered a profound affect on modes of architectural production. While technological change has always been a catalyst for new ideas in architecture, today, digital information technology is the essential agent of innovation in a total process of architecture.

There will also be unique considerations as a result of the properties of the materials being used. Therefore, we used multiple virtual and physical modeling tools to assist us with troubleshooting and management of these issues in order to incorporate what we learn into the design as it is developed. 18). Our imposed performance requirements such as coverage, drainage, weight, and daylighting, combined with the highly specialized constraints imposed by composite and ETFE engineering, required a process that was at once flexible and yet controlled.

NOTES 1 Ludwig Mies van der Rohe: “A Speech to IIT (1950)”, in Philip Johnson, Mies van der Rohe, New York: Museum of Modern Art, 1953. ), History of Beauty, New York: Rizzoli International Publications, 2004, p. 50: “Since in Plato’s view the body is a dark cavern that imprisons the soul, the sight of the senses must be overcome by intellectual sight, which requires a knowledge of the dialectical arts, in other words philosophy. And so not everyone is able to grasp true Beauty. ” 3 Kevin R. Klinger and Joshua Vermillion state: “Digital technology allowed us to design with different formal strategies, requiring new ways of thinking about architectural principles,” in A.

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